Actor speaks Gear Vol.5 Katsumura Masanobu "Feelings when co-starring Shinobu Otake, Feelings of Burushaga in Maradona"
Actor familiar with Footbrain's moderator Katsumura Masanobu. Footballers who continue to play football even if they are 53 years old, talk about something in common between football and play. What is the two great forces that make Katsumura jealous?
Koike Kikuchi
|
2017/01/04
Kikuchi: Is there sometime to kick the ball with the performer between the stage?
Katsumura: Yes. At the time of warming up the stage, including seniors and juniors, I'm kicking up the ball with the people I want to do and uploading it. At the theater's large lobby etc., "I am forced to do" in order to make a good stage.
Kikuchi: After all, is a person who is good at football is also good at Mizan Seine (see Note · Positioning / see Vol.4) on the stage?
Katsumura: That's good. There is a play to balance in the theater, but suppose that the parallelogram stands at a single point like "Yajiroba", for example.
It is play of the image saying that we can keep balance by standing there like five people. As one moves, the balance will break, do not you? How to rebuild it, instantly make use of the body and head. It is a game to train while enjoying it. Such is good.
Kikuchi: Indeed, there is practice like playing like that. Among those co-starred so far, have you had a talent for positioning (Misan Seine)?
Katsumura: In terms of women, it is Shinobu Otake. I first played together for more than 20 years ago, but I always stand in the strongest position. Then, "What is this guy! I can not win anymore, I'm going to a good place in the beginning" (laughs) "It is a cunning person. LOL "She is sure to go to a strong place, even where it's like I'm not going there, I will go now".
So, I thought about that countermeasure. There are flies around the cattle and the lion, are not you? I have to compete with fly. Lol. I tried to puff around. If you think that it is an obstacle to the lion, the flies will win. Lol. When I did it for the first time with Shinobu Ootake, I abandoned pride and I was conscious of such movements. Lol
Kikuchi: Having given up becoming Maradona, is it a feeling that you took up with Buruchaga?
Katsumura:Yup. It may not be such a good thing (laugh)
Kikuchi: I will leave the story of positioning, but where do you think football talent will appear? I think that there are various expressions such as "appearing in a trap" and "appearing in a field of view" when asked the question. Mr. Katsumura, do you think where the talent of the actor will appear?
2010"Faust's Tragedy" Bunkamura Theater Cocoon Photo: Masahiko Tanikou
"Love · Letters" photography: Yukihiro Kato Photo provided by PARCO Corporation
Katsumura: When I started playing, I was taught to Mr. Yukio Ninagawa, the teacher, that "you can hold the eyes of birds and eyes of insects", "collapse and play" at the same time. It is acquired by various training and going, but there are those who do not have such ability to train.
Kashima 's Ogasawara said that he had seen the ball almost 360 ° when he was in high school. You have acquired subjectivity and objectivity. Also, how to read the script. People with a certain smell have different approaches to scripting. That talent is hard to gain in training. I have to get something approaching that by training. Endo players and Hide Nakada are you.
Even on stage, there is a moment when I get jealous of it, I have made an effort to motivate it and earn it.
Kikuchi: Who is jealous of Katsumura currently regardless of the past?
Katsumura: I first started playing with Mr. Yukio Ninagawa, it is a combination of Ninagawa Yukio and Hira (Mikiro). Mr. Ping will do a big and precise play of scale anyway. Mr. Ninagawa will make a large and precise production of the scale anyway.
Moreover, when Mr. Ping and Ninagawa pair, it will become a super saiyan who is incalculable. Lol. So I got a worldwide reputation. It pierced through. I have seen it, so these people can not be lifelonged. They are two people who can not stop their respect.
Kikuchi: You were two amazing people, were not you?
Katsumura:Yes. This feeling does not change for the whole lifetime. It is God. Gods have done too much things so now, there is nothing new to the theater.
Kikuchi: There is not even one!
Katsumura: I do not have it. Movements and emotions are done by people with high abilities. That's why I have no choice but to multiply what our predecessors did. By multiplying, new things are born. It is a hybrid.
Kikuchi: I think that having no new things is a terribly fun word, but Katsumura thinks that football spikes are evolving? Or do you have new things?
Katsumura: Of course it is evolving. This is also a multiplication of ideas and technologies. Although each maker is looking forward to how far it will keep running, the basis is not shoes. West Germany wearing a spike made by Adi Dassler has defeated the strongest Hungarian. History moved. I believe that the history of spikes will also become new as much as possible by multiplying various things.
Kikuchi: For example, I think that the spike "World Cup" that you had with Katsumura is the world of John Rob if it is compared to men's shoes. Jeong Rob probably thinks that he will keep making leather shoes even 100 years later. But 50 years ago, craftsmen who were making ski boots with leather were not forced to go out of business. Which do you think football shoes go to?
Katsumura: Necessity will bring forth the invention. As the play has no answer, the advancement of technology never stops. Engineers' holdings will not allow answers. It is the same as the play. Even though I do not have an answer, I will fail to give an answer. Even if it makes a move, there is no single right answer.
That's why I taught you when I started playing, "Bird's eyes and insect eyes" Leverage this and always do the following. Ideal is high. I have doubts about what I am doing. Do not you have any better ones? Ask yourself. It is iteration.
Kikuchi: There is no answer, but if you abandon your efforts to find answers, there is no evolution.
Katsumura:I agree. So I think that I should always be able to do something new. Even now, I want to get better and better. I do not get one ideal. Both play and soccer want to be even better.
Kikuchi: That's the secret to keep it going on forever. This interview really received a lot of stimulation. Thank you very much.
Interview cooperation / Sys Company
Top photo provided /
2014 "Let me sleep with a hibernating bear" Bunkamura Theater Cocoon Photo: Masahiko Taniko
Photo provided / Tomoyoshi Shimizu (Maradona)
Katsumura: Yes. At the time of warming up the stage, including seniors and juniors, I'm kicking up the ball with the people I want to do and uploading it. At the theater's large lobby etc., "I am forced to do" in order to make a good stage.
Kikuchi: After all, is a person who is good at football is also good at Mizan Seine (see Note · Positioning / see Vol.4) on the stage?
Katsumura: That's good. There is a play to balance in the theater, but suppose that the parallelogram stands at a single point like "Yajiroba", for example.
It is play of the image saying that we can keep balance by standing there like five people. As one moves, the balance will break, do not you? How to rebuild it, instantly make use of the body and head. It is a game to train while enjoying it. Such is good.
Kikuchi: Indeed, there is practice like playing like that. Among those co-starred so far, have you had a talent for positioning (Misan Seine)?
Katsumura: In terms of women, it is Shinobu Otake. I first played together for more than 20 years ago, but I always stand in the strongest position. Then, "What is this guy! I can not win anymore, I'm going to a good place in the beginning" (laughs) "It is a cunning person. LOL "She is sure to go to a strong place, even where it's like I'm not going there, I will go now".
So, I thought about that countermeasure. There are flies around the cattle and the lion, are not you? I have to compete with fly. Lol. I tried to puff around. If you think that it is an obstacle to the lion, the flies will win. Lol. When I did it for the first time with Shinobu Ootake, I abandoned pride and I was conscious of such movements. Lol
Kikuchi: Having given up becoming Maradona, is it a feeling that you took up with Buruchaga?
Katsumura:Yup. It may not be such a good thing (laugh)
Kikuchi: I will leave the story of positioning, but where do you think football talent will appear? I think that there are various expressions such as "appearing in a trap" and "appearing in a field of view" when asked the question. Mr. Katsumura, do you think where the talent of the actor will appear?
2010"Faust's Tragedy" Bunkamura Theater Cocoon Photo: Masahiko Tanikou
"Love · Letters" photography: Yukihiro Kato Photo provided by PARCO Corporation
Katsumura: When I started playing, I was taught to Mr. Yukio Ninagawa, the teacher, that "you can hold the eyes of birds and eyes of insects", "collapse and play" at the same time. It is acquired by various training and going, but there are those who do not have such ability to train.
Kashima 's Ogasawara said that he had seen the ball almost 360 ° when he was in high school. You have acquired subjectivity and objectivity. Also, how to read the script. People with a certain smell have different approaches to scripting. That talent is hard to gain in training. I have to get something approaching that by training. Endo players and Hide Nakada are you.
Even on stage, there is a moment when I get jealous of it, I have made an effort to motivate it and earn it.
Kikuchi: Who is jealous of Katsumura currently regardless of the past?
Katsumura: I first started playing with Mr. Yukio Ninagawa, it is a combination of Ninagawa Yukio and Hira (Mikiro). Mr. Ping will do a big and precise play of scale anyway. Mr. Ninagawa will make a large and precise production of the scale anyway.
Moreover, when Mr. Ping and Ninagawa pair, it will become a super saiyan who is incalculable. Lol. So I got a worldwide reputation. It pierced through. I have seen it, so these people can not be lifelonged. They are two people who can not stop their respect.
Kikuchi: You were two amazing people, were not you?
Katsumura:Yes. This feeling does not change for the whole lifetime. It is God. Gods have done too much things so now, there is nothing new to the theater.
Kikuchi: There is not even one!
Katsumura: I do not have it. Movements and emotions are done by people with high abilities. That's why I have no choice but to multiply what our predecessors did. By multiplying, new things are born. It is a hybrid.
Kikuchi: I think that having no new things is a terribly fun word, but Katsumura thinks that football spikes are evolving? Or do you have new things?
Katsumura: Of course it is evolving. This is also a multiplication of ideas and technologies. Although each maker is looking forward to how far it will keep running, the basis is not shoes. West Germany wearing a spike made by Adi Dassler has defeated the strongest Hungarian. History moved. I believe that the history of spikes will also become new as much as possible by multiplying various things.
Kikuchi: For example, I think that the spike "World Cup" that you had with Katsumura is the world of John Rob if it is compared to men's shoes. Jeong Rob probably thinks that he will keep making leather shoes even 100 years later. But 50 years ago, craftsmen who were making ski boots with leather were not forced to go out of business. Which do you think football shoes go to?
Katsumura: Necessity will bring forth the invention. As the play has no answer, the advancement of technology never stops. Engineers' holdings will not allow answers. It is the same as the play. Even though I do not have an answer, I will fail to give an answer. Even if it makes a move, there is no single right answer.
That's why I taught you when I started playing, "Bird's eyes and insect eyes" Leverage this and always do the following. Ideal is high. I have doubts about what I am doing. Do not you have any better ones? Ask yourself. It is iteration.
Kikuchi: There is no answer, but if you abandon your efforts to find answers, there is no evolution.
Katsumura:I agree. So I think that I should always be able to do something new. Even now, I want to get better and better. I do not get one ideal. Both play and soccer want to be even better.
Kikuchi: That's the secret to keep it going on forever. This interview really received a lot of stimulation. Thank you very much.
Interview cooperation / Sys Company
Top photo provided /
2014 "Let me sleep with a hibernating bear" Bunkamura Theater Cocoon Photo: Masahiko Taniko
Photo provided / Tomoyoshi Shimizu (Maradona)
